Remember the government funded play “Kill The Deniers”? They’re back!
This time they’ve got a talkie-dance video (is it funded by the ACT government again? I don’t know). They’re launching it today in Canberra (Weds 21st). See it below — at first glance I thought David Finnigan was up to his deep game — living satire — where he pretends to mock skeptics while he’s really satirizing the Global Worriers, post modern art, and pointless government funding. It could be, but this one looks more like a therapy session. Let’s work through the pain, and pretend the artistes paid for childish drama are the victims of meanie words…
But cynically, seriously, maybe climate skeptics were the only ones who paid any attention last time, and this is just a gambit for a link from Andrew Bolt?
Note the credits:
Words by Andrew Bolt, Joanne Nova, and Bishop Hill and all the commenters
The narrative is about someone with a bag on their head who gets uncovered, does a big stretch, dances around some cardboard heads, then she stops and they put the bag back on. Plotless. (You expected a plot, you philistine?)
Andrew Bolt is [...]
I’ve come back from a few days R&R at a marvellous farm, to hear that the ACT government is tossing $19,000 to an Aspen Island Theatre Company to do the “creative development” of a fun play called Kill The Deniers.
Don Aitkin wonders if it is a comedy, so I went with an open mind to investigate. After reading his other works, I conclude the writer, David Finnigan, seems to be doing a brave new kind of living satire — one where he lives the genre full time as he prepares, never breaking out of character in tweets, blogs, or plays. Sheer brilliance! He is self-satirizing the paranoid useful idiot who swallows improbable scientific visions about controlling the weather, and uses hyperbolic crass motherf…… language in a form of scientific self-mockery. Taking things to absurd extremes, he calls himself peaceful while he admires terrorists, invents conspiracy theories, and dreams of bloody revolution.
Truly, this could be a remarkable production that we will laugh at for years to come. In a stroke of innovation, the production is not the play that is in draft — instead it’s the media, the blogs, and his own parody responses. The [...]